funwithstuff

Well. You saw the TLC in Action animation, right? Let's follow it up with: Microsoft are flying me to Boston. I feel compelled to add "yes, really" one more time. And even though I try to resist them on this blog, I have to add:

:)

I'll be at Microsoft Tech·Ed 2006 soon — it's going to be fun. And big, 13K attendees big. I'll be blogging, maybe posting new Twelve Fives vids if I can find the time.

Worth checking every few weeks to find some new music: triple j | free music: mp3 downloads.

Well, my Second Life alter-ego just made the front cover of the longest running SL newspaper, the Metaverse Messenger, for making a lame sight gag and saying "what band am I?". I'd rather be on the cover of the MM than the Courier Mail any day.

What a lovely showreel Tim at Animoke has.

We humans are a pox on the planet, aren't we? Funny, then sad.

Down the rabbit hole. This amazing page lets you zoom on a picture, then zoom, zoom, and zoom again into new pictures. Fantastic.

Geekiness upon geekiness: MacSaber: Turn Your Mac Into A Jedi Weapon.

Aeon Flux first appeared as part of Liquid Television back in the early 90s. In the second season, Aeon died in each episode. Anyway, it's out on DVD, so I rented it. Found it's been split by disc, and I have disc 3 — just the shorts, not the full-length series. Perfect.

So, in the director's commentary on the final episode (my favourite) called Tide, Peter Chung says that he wrote this episode like a musical score, two seconds per shot. Which, coincidentally, is how I did Airport: each shot is also two seconds long. In Twelve Fives it's five, and obviously a big part of the feel. The TLC short is also based around five seconds, though it's less forced because of the hand-drawn style.

Why? Well, it makes structuring the audio much easier and offers a rhythmic frame onto which you can hang the images. Obviously, most traditional content doesn't fit so rigidly, but animation often can. It's an easy way to get started if nothing else. Oh. Peter Chung also admitted that the repetitive structure of Tide was partly so he didn't have to draw fresh backgrounds all the time. Airport's flat backgrounds suit the style, but also mean I didn't need to draw them, and if it's good enough for Peter Chung, it's good enough for me.

Hey — it's live! Check out my TLC animation live on the Microsoft site: Microsoft Tech·Ed 2006. The parent Tech·Ed page tells you more about the show and the TLC.

(To answer the comment below, yes, I did the music too. Loops are great.)

Sorry the posting frequency's been a little down; I'll try to keep it a little more regular. Well, I've been doing a Twelve Fives podcast each week, so that's probably part of it. (Yes, including music!)

Wondering what I've been up to? In between writing the last tutes for KIB103 (web course @ QUT) and my other jobs, I've been creating an animation for Microsoft Tech·Ed 2006. Yes, really.

Thanks go to Cory @ Boing Boing for the link to Airport, because it made this connection happen. Thanks for the free rein, Mr Carlson!

(It's not online yet. But it will be soon, and I'll link when it is. However, if you've seen the Tech·Ed animation and need me to create your next animation, just email my name at this site.)

PostSecret. Dark, funny, sad, raw. Your inner voyeur will be appeased and the kind half of you saddened.